Advice

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  • Advice

    Just Breathe

    "You can't control what people are going to think of your audition, but you can control everything else."

  • Advice

    Of All Your Performances, Which One Are You Most Proud Of?

    Two years ago, I did a Shakespeare play, "Pericles," for a small Shakespeare company in Seattle, with a director named Sheila Daniels. I played Thaisa, which is not a huge part, but from start to finish the production was one of the most collaborative.

  • Advice

    Get in the Game

    The interactive-gaming industry has rapidly grown into one of the biggest forms of entertainment today.

  • Advice

    Actor Mailings to Agents: Frequency

    "How often should an actor send a submission to an agent when seeking representation?" That was the question that came flying at me during a recent class.

  • Advice

    Cast Off

    In April, I tested for a series regular role on NBC's "100 Questions."  It was a small role with little interaction with the rest of the cast.

  • Advice

    On the Chi

    As an actor, you literally put your whole body into the work of performing: physically, mentally, emotionally, and spiritually.

  • Advice

    Performer, Heal Thyself

    Strains, sprains, breaks, aches, and pains are all-too-familiar results of the extreme movement work required of many professional performers.

  • Advice

    Improvising Dance

    When you think of improvisation in dance, you probably imagine either young clubbers out on the dance floor inventing moves to the latest pop tunes or postmodern artists engaged in contact improv.

  • Advice

    Thinking Outside the Box

    Barbara McNamara, who has headed her own company in New York, Barbara McNamara Casting, for four years, casts films, TV shows, commercials, voiceovers, and industrials.

  • Advice

    Profile Purpose, Feedback Foul

    I cast extras and principals with Extra Talent Agency, and I have to disagree with a statement in your recent column "Rotten Request, Dumping a CD" (June 18–24).