Dance

Sort by:

  • Advice

    Capturing the Feel of 1950s Memphis

    "I decided to take a risk. I didn't want to be a slave to the dance forms of the period," says Sergio Trujillo, choreographer of the new Broadway musical "Memphis."

  • Advice

    Bill T. Jones/Arnie Zane Dance Company: Serenade/The Proposition

    In its New York premiere, the pithy 60-minute work is splendidly rendered by the remarkably diverse and talented Bill T. Jones/Arnie Zane Dance Company.

  • Advice

    Choreographing a Career

    “Most of the performances of my choreography come about because I’m doing work that crosses the path of someone who then invites me to become involved in a project with them."

  • Advice

    A Pioneer in Representing Dancers

    "I had a really bad knee injury and basically had to reinvent my life," explains Julie McDonald of McDonald/Selznick Associates, a talent agency that specializes in dancers and choreographers.

  • Advice

    Dance Schools and Classes

    From Bhangra to chair dancing, a melting pot of cultures, new technologies, and the Internet have brought exciting new choices to the world of dance classes from coast to coast.

  • Advice

    Halftime Movers and Shakers

    "It can compete with anything out there," Christina Iannelli says. "Performing with the Nets has made me a better dancer and given me confidence and poise."

  • Advice

    Dancing Behind the Stars

    The right backup dancers bring enormous energy to the stage, and their motion helps focus the audience's attention on the singer.

  • Advice

    Dance Ball Change

    At Career Transition for Dancers, our goal is to find a new career for you that is just as fulfilling as your dance career," says William Dale, CTFD's director of development.

  • Advice

    Performer, Heal Thyself

    Strains, sprains, breaks, aches, and pains are all-too-familiar results of the extreme movement work required of many professional performers.

  • Advice

    Improvising Dance

    When you think of improvisation in dance, you probably imagine either young clubbers out on the dance floor inventing moves to the latest pop tunes or postmodern artists engaged in contact improv.