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ominent contemporary Armenian writer Aghasi Ayvazyan's play, Props, deals with the ongoing search for meaning and acceptance; lucidly abandoning four figures on stage, forcing them to create and live among newly established borders of thought. Through absurd, yet earnest verbal explorations, the characters inspire an aura of intensity as they search for their place in their infinite surroundings. The universal elements within this production encompass the comical, bitter, and vulnerable realities of the individual. At the same time, the play does not refrain from alluding to pertinent political and social structures of our time, which further verify the limiting tendencies of human behavior. Will Ayvazyan's haunting style nurture or crush his own creatio
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