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Audition Tips

Ask any casting director what matters most when an actor shows up to an audition. Most will say, "They need to be prepared." (Showing up on time can't hurt either.)

These should be obvious, but it's surprising how many actors make a bad impression with something as simple as inappropriate behavior. It can knock you out before you step into the ring. Remember this acting advice: Casting directors already have the job — you don't. So you need to prove yourself to them, not the other way around.

Other suggestions we heard from CDs: Avoid unnecessary chit-chat. Don't linger in the room for too long after you read. Stay away from using most props. And avoid making physical contact with the casting director during your audition.

A feeling of desperation is another sure way not to get a callback from casting auditions. Never view an audition as nerve-wracking nightmare, or make it look that way. Consider each casting audition an opportunity: A chance to perform for an audience — albeit a small one. Or walk into the audition saying, "No matter what happens, I'll do the best I can today." Remember: The casting director is not here to judge you harshly; he or she simply wants to find the perfect person for the role. That could be you.

Actors sometimes seek out coaching for casting auditions, but primarily for large film/TV roles, or for admittance to an MFA program. Many believe it is worth the expense — if only for the boost in self-confidence. In last-minute emergencies, actors even resort to phone coaching, although that's not an ideal situation.

However, with or without coaching, one trap to avoid is too much preparation. Read the sides carefully but don't freeze your approach — you may be asked to change it. Longtime coach and acting teacher Craig Wallace says he never sends actors out 100 percent set for casting auditions. "If you're overprepared, you have no flexibility," he says. "And you don't know what 50 percent of the process is until you walk into the room.

"You can't have the piece controlling you. You have to leave room for the circumstances of where you're going to be."

LINKS

The Working Actor
I recently sat in on auditions for a play. It was, as always, enlightening to watch actors present themselves in what they hoped was their best light.

This Is Your Pilot Speaking???
Four actors navigate the tricky path of pilot season.

The Actor's Friend: Ellie Kanner
In her new guidebook on the auditioning process, Ellie Kanner offers actors a note of caution about the chilly characters who may lurk behind casting room doors.

Choosing the Right Song for Your Audition
It takes much more than just a terrific voice to work in today's musical theatre.

The Gathering of the Tribes
Actors and theatres congregate at regional combined auditions.

Pilot Season
Getting seen by the networks without heading to L.A.

A Dozen Ways To Score Big at Musical Auditions
Many terrific audition tips and great advice passed on by industry types.

BACKSTAGE BULLETINS
Where Do You Find Background Work?
May 08, 2008
Back Stage wants to know what casting companies you use for background work and which you think are a waste of time.


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