

Not About HeroesBright Eye Productions at the Lounge Theatre 2Reviewed by
Neal Weaver
August 04, 2010
Writer Stephen MacDonald has obviously deeply researched his characters in this biographical play, but he has been perhaps overly reverent in handling his material. By confining himself largely to primary sources-the letters and other writings of the two men-he limited the dramatic potential and created a work that smacks more of the study than the stage. For most of Act 1, the actors are straitjacketed: Largely confined to reading poems and letters aloud, they have few theatrical scenes to play. Only in Act 2, in a sustained scene set in a military hospital where Owen visits a seriously wounded Sassoon who has been injured by friendly fire, do the actors break free and soar. Both actors achieve a credible resemblance to their originals. Mann possesses the cragginess of Sassoon, and Hardin's center-parted hair imparts boyish charm and period flavor. In the last third of the play, dealing with Owen's death under fire just seven days before the armistice was signed, Mann achieves a potent elegiac tone and genuine stature. Hardin limits himself by being overcommitted to Owen's shyness and timidity, reducing the colors of his palette in an otherwise touching performance. Director-set designer William Hemmer provides a lovingly detailed production, but a less literal approach to the material might have served him better. Presented by Bright Eye Productions at the Lounge Theatre 2, 6201 Santa Monica Blvd., Hollywood. July 18-Aug. 22. Fri.-Sat., 8 p.m.; Sun., 7 p.m. (323) 960-7744. www.plays411.com/heroes. |
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