T-O-T-A-L-L-Y!
Theatre of NOTE as part of the Hollywood Fringe Festival
Reviewed by
Steven Leigh Morris, L.A. Weekly
June 22, 2010
In Kimleigh Smith's one-person show, she portrays herself as a 17-year-old virgin, an ingratiating cheerleader who speaks in Valley-girl cadences, where every sentence is peppered with "totally." She endures a gang rape and the eventual recovery of her sexuality, which was shut down after the attack. This is the formula for what could have been the worst one-woman show ever seen; it's actually among the best, thanks entirely to Smith's superhuman vivacity, her blistering sense of humor, in which, with considerable physical heft, she performs those ridiculous high school cheers in a teensy, revealing skirt with a mania that crosses deep into mockery. She is without shame, and she's earned that right. There's not a trace of self-pity; rather, super-hero determination. And when she details her technique for seducing a lover, the result is one of the most erotic, funniest scenes you'll find on any stage, anywhere. Paula Killen directs, and obviously knows exactly what she's doing.