ParisReviewed by
Simi Horwitz
September 14, 2009 With a mercifully light touch, writer-director Cédric Klapisch loosely weaves an array of stories, all embracing the film's lofty motifs: life, death, love, loss, age, youth, history, and modernity. Paris serves as backdrop and character. Pierre's sister Elise (Juliette Binoche) is a single mother of three who hasn't had much luck in the romance department. An aging professor (Fabrice Luchini) is obsessed by a beautiful student (Mélanie Laurent). His happily married architect brother (François Cluzet) sheds tears easily and is expecting the birth of his first child. In his sixth collaboration with Klapisch, Duris is wholly convincing as a sad man in an existential moment. He doesn't have to say a word; his expressive eyes say it all as he stands on his apartment balcony at night, peering out at the Paris skyline. Binoche is excellent as a concerned sister who doesn't want to look too concerned. Her flirtation with a fishmonger (Albert Dupontel) is wonderfully tentative and touching. But the film belongs to Luchini, playing a lonely, disaffected academic who, late in life, begins appearing on a TV program and pursuing a young woman who views him as little more than a diversion. In one of the most extraordinarily comical and sad scenes, he turns on 1960s music and dances around his apartment in front of the woman in an effort to entertain and seduce her. His fabulous energy and swift moves belie his advanced years. Despite his attempts at levity, however, in the end he reveals himself to be an old man indulging in nostalgia—which is nonetheless hilarious. This is an easy-to-watch and enjoyable film, its big themes notwithstanding. My only quibble is with the datedness in its treatment of male-female relations and of women in particular. It feels rooted in a pre-feminist, pre-AIDS era when acquaintances hopped into bed at a moment's notice and a line like "Your place or mine?" was routine. Here it's said several times, becoming more jarring with each utterance. Genre: Drama Written and directed by: Cédric Klapisch Starring: Juliette Binoche, Romain Duris, François Cluzet, Fabrice Luchini, Albert Dupontel, Karin Viard, Mélanie Laurent |
|
More Movie / TV Reviews
ADVERTISEMENT
Sponsors
|
|
|
|
|
|
|
|
|
|
|
|
Events Calendar
Industry Grosses
| Rank | Title | Gross |
|---|---|---|
| 1. | WICKED | $1,534,111 |
| 2. | THE LION KING | $1,445,999 |
| 3. | SPIDER-MAN TURN OFF THE DARK | $1,433,241 |
| 4. | THE BOOK OF MORMON | $1,425,488 |
| 5. | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING | $1,319,824 |
| 6. | WAR HORSE | $960,191 |
| 7. | JERSEY BOYS | $915,982 |
| 8. | PORGY AND BESS | $878,884 |
| 9. | FOLLIES | $878,880 |
| 10. | THE MOUNTAINTOP | $693,128 |
Week ending Feb 06, 2012.
Credit: The Broadway League
| Rank | Title | Gross |
|---|---|---|
| 1. | CHRONICLE | $22,004,098 |
| 2. | WOMAN IN BLACK, THE | $20,874,072 |
| 3. | GREY, THE | $9,300,999 |
| 4. | BIG MIRACLE | $7,760,205 |
| 5. | UNDERWORLD AWAKENING | $5,500,744 |
| 6. | ONE FOR THE MONEY | $5,206,279 |
| 7. | RED TAILS | $4,735,595 |
| 8. | DESCENDANTS, THE | $4,552,943 |
| 9. | MAN ON A LEDGE | $4,351,036 |
| 10. | EXTREMELY LOUD & INCREDIBLY CLOSE | $3,802,367 |
Week ending Feb 06, 2012.
