Blank

Blank Productions at Manhattan Theatre Source as part of the New York International Fringe Festival

Reviewed by Erik Haagensen

August 15, 2011


Photo by Brenda Stanton
Author-actor Brian Stanton's one-man show chronicles his search for his birth mother at age 23. During it, he learns a horrifying truth that challenges his very reason to exist. It's compelling stuff, and Stanton is an appealing presence. However, an attempt to give the story mythical underpinnings by linking it to Stanton's work on the part of Oedipus in acting class never convinces.

Stanton's acting teacher tells him that he always stops before allowing honest emotion out and suggests that the actor needs to discover why. This leads to the rather forced device of Stanton in effect acting out his entire tale to said teacher. It's a distancing device, but fortunately the honesty and specificity of Stanton's writing and acting overcomes it.

The actor embodies 12 characters during this 65-minute piece, and while his acting teacher is too arch and his stepmother a bit of a cliché, the rest are very well done indeed. Ultimately, "Blank" is a moving exploration of identity and a thought-provoking and challenging examination of abortion.

Presented by Blank Productions as part of the New York International Fringe Festival at Manhattan Theatre Source, 177 MacDougal St., NYC. Aug. 12–27. Remaining performances: Fri., Aug. 19, 7 p.m.; Sat., Aug. 20, noon; Sun., Aug. 21, noon; Fri., Aug. 26, 7 p.m.; Sat., Aug. 27, 1:30 p.m. (866) 468-7619 or www.fringenyc.org.
 

 
Subscribe to Back Stage

More Off Off Broadways

NY Review: 'She's of a Certain Age'

NY Review: 'She's of a Certain Age'
This sketchy play by Susan Charlotte on serious issues that women face is given an anemic treatment, despite the tal... More »

    ADVERTISEMENT

    Unscripted Blog


    Visit Unscripted »

    Sponsors

    Back Stage Video

    Duncan Stewart, director of casting at National Artists Management Company, talks about opening every submission and what he wants to see in a headshot.; casting; Duncan Stewart; headshot; new york city; open submissions; Duncan Steward, director of casting, talks about what he wants from an actor in a general meeting, mainly truth, likability, and lack of ego.; advice; casting; Duncan Stewart; new york city; tips; Duncan Stewart, director of casting, talks about what he expects from an audition and common mistakes actors make.; advice; auditions; casting; Duncan Stewart; new york city; Alaine Alldaffer breaks down the real role of a casting direcor.; Alaine Alldaffer; casting; casting director; Grey Gardens; play; stage; theater; Casting director Alaine Alldaffer talks about casting "Saved" and all the misconceptions about being an actor in New York City.; Alaine Alldaffer; casting director; NYC theatre; play; saved; NY casting director Bernie Telsey describes what actors need to know before walking into an audition. (Part 1 of 2) ; Bernie Telsey; casting director; We spoke with casting director Mark Teschner about working on soap operas. (Part 1 of 3) ; General Hospital; Mark Teschner; soap opera; NY casting director Bernie Telsey describes how to give your best audition. (Part 2 of 2) ; Bernie Telsey; casting director; We spoke with casting director Mark Teschner about working on soap operas. Need only beautiful people apply? (Part 2 of 3) ; General Hospital; Mark Teshner; soap opera; We spoke with casting director Mark Teschner about auditioning for soap operas. (Part 3 of 3) ; General Hospital; Mark Teschner; soap opera; Videos for the Back Stage News & Features section.

    ADVERTISEMENT