Events & Representation: Workshops

Summer Monologue Workshop

Casting notice expires: July 5, 2013

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RGB Coaching
Robert Bradshaw, dir.

Production Description

Seeking participants for a summer monologue workshop at RGB Coaching. Workshop is limited to eight participants. The workshop will focus on individual character development, group exercises, and researching new plays to get actors on the path to a fully realized performance. Director asks: "Do you wish you really LOVED the monologues you were working on? Do you wish someone could guide you towards material that will showcase your best self? Do you wish you could connect more personally to your characters? The summer monologue workshop at RGB Coaching is a safe, nurturing, and invigorating environment geared towards empowering actors to bring their unique selves to their work like never before."

Rehearsal and Production Dates & Locations

Workshop will be held June 25, July 9 & 16 (6:30-9:30 p.m., each night) at a rehearsal studio in midtown Manhattan, NY.

Compensation & Union Contract Details

$250 fee required for the full workshop (payment plans and early bird discounts available). Students enrolled in the workshop are entitled to unlimited private coachings, subject to availability, at 20% off the regular price for his/her first 3 months as a student of RGB Coaching


Seeking submissions from: New York, NY Sign up or Log In to apply.


“What always stood out to me about Mr. Bradshaw was the manner in which he helped me uncover my true feelings on a particular piece. There was no right or wrong-just an open, honest discussion about my reactions toward that specific moment we were working on. He approaches the entire process with patience and a sense of humor and gives the actor clear direction while leaving enough room for self discovery.”
-Liz Gerecitano (Off-Broadway companies of "My Big Gay Italian Wedding" and "Tony 'n Tina's Wedding")

“I can personally attest to the value of Robert's guidance, insight, and artistic integrity. He has consistently challenged me to bring a level of clarity to my work that I would not have been able to achieve on my own--and for that, I am eternally grateful."
-Jon Barker (Cassio in "Othello", Shakespeare Theatre of NJ)

"As a coach, Rob creates an honest and constructive environment mixed with his brand of humor where you feel safe enough to let yourself think outside the box and try a different approach to your craft. But he also helps you to remember to get back to the basics if you find yourself in a stale rut when it comes to your acting process!"
-Desiree Rodriguez ("Tricks the Devil Taught You", Minetta Lane Theatre)


Robert Grant Bradshaw is an award winning acting coach, stage director, arts educator, and manager in New York City. Rob earned a Bachelor of Arts & Master of Arts in Theatre Studies from Montclair State University and has collaborated with several professional theatres in the metropolitan area over the past decade including Luna Stage, Highlands Regional Playhouse, Park Players, Centenary Stage and Performing Arts Center, The Carl Pfeifer Performing Arts Center, Cafe Theatre, Rebel Verses, and StrangeDog Theatre. Rob currently serves as the Associate Director of The American Place Theatre, a historic off-Broadway theatre company in NYC. Rob has also directed a variety of professional stage productions including the world premiere and subsequent revival of the David Mark Cohen award winning play, "Spilling Stuff & Breaking Things" by Ben Clawson, and Rob was recognized by the Kennedy Center and the SDC for excellence in Stage Direction on this production. As an acting coach, Rob has been coaching acting students on auditions, festival submissions, and general improvement of craft for the past ten years. Rob was recognized by the National Partners/American Theatre for two consecutive years as "Best Classical Acting Coach" for his work with Kennedy Center/Irene Ryan Acting Scholarship winners Stephani Aguilar ('06) and Jon Barker ('07). Rob has extensive knowledge of a wide array of dramatic literature and styles including classical Greek, Shakespeare, avant-garde, modern, and contemporary drama. His work with actors has included monologue and scene study, cold reading, character exploration and building, and sparking personal connections to difficult roles.