Lucy Prebble's new play is like a big, shiny, beautifully wrapped package that once eagerly ripped open reveals a horde of Styrofoam peanuts through which you search vainly for the anticipated present.
Broadway Review
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Denzel Washington is magnificent in the role indelibly created by James Earl Jones, and the astonishing Viola Davis matches him every step of the way. It's a deeply moving, hugely satisfying evening of theater.
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Inappropriate stars and hokey direction pretty much do in this revival of pop legend Burt Bacharach's only foray into musical theater.
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Who wouldn't want to spend an evening with Broadway's musical-theater Shakespeare discussing his work and dishing about his experiences?
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Though the book is skeletal, this loud and angry rock opera from Green Day breaks all the Broadway rules to create a moving portrait of rebels without causes and no place to go.
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There’s a whole lotta shakin’ goin’ on in Broadway’s latest jukebox musical, but the book ain’t nothin’ but a hound dog.
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This adaptation of Charles Addams' iconic cartoons is a musical all dressed up with no place to go.
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Stanley Tucci's riotous staging of Ken Ludwig's "Lend Me a Tenor" provides an evening full of belly laughs, slapstick action, and projectiles aimed into the orchestra seats.
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There's barely a cliché left unturned in John Logan's "Red," a two-hander about the late-in-life creative struggles of artist Mark Rothko, arriving direct from London's Donmar Warehouse.
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Twyla Tharp channels the spirit of Sinatra in this dreamy, sexy romp. There's no plot, but with dancing like this, who cares?
