"Finian's Rainbow" is a magical production that should enchant both lovers of the Golden Age musical and those who favor more-contemporary fare.
Broadway Review
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George S. Kaufman and Edna Ferber's 1927 comedy returns to Broadway in a riotous, over-the-top staging in which everyone from the leads to the walk-ons shines.
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Eric Simonson fails to score a touchdown with this lackluster bio-play. There are plenty of stats, but there's little dramatic conflict.
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Stanley Tucci's riotous staging of Ken Ludwig's "Lend Me a Tenor" provides an evening full of belly laughs, slapstick action, and projectiles aimed into the orchestra seats.
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This revival of a lesser-known Terence Rattigan melodrama about an international tycoon has an uneven balance sheet, but Frank Langella's performance is one of its stronger assets.
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Brendan Fraser and Denis O'Hare have terrific rapport as two polar-opposite social misfits released into the world from a state mental institution in this quirky, intimate comedy-drama.
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It's proving to be a stellar year for revivals on the Great White Way, but none packs as much comic punch as the Old Vic Theatre Company's splendid production of Alan Ayckbourn's "The Norman Conquests."
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After a run Off-Broadway last year, this production of "Reasons to Be Pretty" marks Neil LaBute's Broadway debut. Why has it taken so long for the prolific playwright to find his way to the Main Stem?
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There's a lot of talk in Impressionism, Michael Jacobs' shallow romantic comedy-drama about the titular school of painting.
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A hit in Washington, D.C.'s 2010 Terrence McNally festival, this production arrives on Broadway in new and improved shape, with Tyne Daly delivering stage magic as opera diva Maria Callas.
