Broadway Review

Lombardi

Eric Simonson fails to score a touchdown with this lackluster bio-play. There are plenty of stats, but there's little dramatic conflict.

The Royal Family

George S. Kaufman and Edna Ferber's 1927 comedy returns to Broadway in a riotous, over-the-top staging in which everyone from the leads to the walk-ons shines.

God of Carnage

The setup is fairly obvious in Yasmina Reza's God of Carnage: Two sets of upper-middle-class parents amicably meet to settle a schoolyard dispute between their young sons.

Lend Me a Tenor

Stanley Tucci's riotous staging of Ken Ludwig's "Lend Me a Tenor" provides an evening full of belly laughs, slapstick action, and projectiles aimed into the orchestra seats.

Man and Boy

This revival of a lesser-known Terence Rattigan melodrama about an international tycoon has an uneven balance sheet, but Frank Langella's performance is one of its stronger assets.

The Norman Conquests

It's proving to be a stellar year for revivals on the Great White Way, but none packs as much comic punch as the Old Vic Theatre Company's splendid production of Alan Ayckbourn's "The Norman Conquests."

Elling

Brendan Fraser and Denis O'Hare have terrific rapport as two polar-opposite social misfits released into the world from a state mental institution in this quirky, intimate comedy-drama.

All About Me

This unlikely pairing of Michael Feinstein and Dame Edna Everage resembles a TV special from the 1960s—pleasant and mildly amusing but familiar and forgettable.

Master Class

A hit in Washington, D.C.'s 2010 Terrence McNally festival, this production arrives on Broadway in new and improved shape, with Tyne Daly delivering stage magic as opera diva Maria Callas.