George S. Kaufman and Edna Ferber's 1927 comedy returns to Broadway in a riotous, over-the-top staging in which everyone from the leads to the walk-ons shines.
Broadway Review
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Film star Jude Law tackles Shakespeare's greatest role and emerges with flying colors, but the rest of the company finishes far behind.
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Carrie Fisher invites audiences to a combination standup act and slumber party in a dryly funny stage memoir. Hollywood dish and life lessons are served with wit and style.
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The plot may be a familiar one, but Tracy Letts' new play, set in a Chicago doughnut shop, is populated with believable, lovable characters. Tasty and fresh as a doughnut right out of the oven.
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Hugh Jackman and Daniel Craig, a pair of movie action heroes, get down and dirty in Keith Huff's explosive two-hander, proving theater can still whup film's ass.
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This dazzling Latin and ballroom dance revue is brilliantly performed by a cast of international dancesport champions.
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Theater and film combine in an exciting synthesis in NT Live's first presentation, Jean Racine's "Phèdre."
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More than a year after it opened, "August: Osage County," Tracey Letts' Pulitzer Prize–winning dysfunctional-family drama, retains enough heavyweight punch to knock audiences out.
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Samuel Beckett's existentialist cry of despair spotlights the tedium humans face as they realize that their pursuits and objectives are meaningless.
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"9 to 5" aims low and hits its target squarely. And that's the difference between creating a classic and just a fun but evanescent night out.










