Complexions Contemporary Ballet
An entire evening of Dwight Rhoden's choreography is exhaustingly monotonous. The dances feel like chains of unmotivated tasks, which all become a wearisome waste of energy.
Complexions Contemporary Ballet
An entire evening of Dwight Rhoden's choreography is exhaustingly monotonous. The dances feel like chains of unmotivated tasks, which all become a wearisome waste of energy.
Dance Troupe Kidd Pivott's 'The Tempest Replica' Reimagines Shakespeare
Bursting with visual originality, passion, and mystery, Kidd Pivott’s “The Tempest Replica,” a choreographic retelling of Shakespeare’s play, at the Joyce Theater, is mesmerizing.
Alvin Ailey American Dance Theater
The Alvin Ailey American Dance Theater always offers exquisitely danced performances, teeming with powerful athleticism and pungent passion. Its Dec. 16 performance was no exception.
Dance Review: 'Take Dance: Salaryman'
This is a powerful one-act contemporary dance piece about Japanese businessmen to which its choreographer, Takehiro Ueyama, unfortunately has added a cumbersome 30-minute second half.
Gallim Dance and Sidra Bell Dance New York
Gallim Dance offered a stunning performance of its artistic director Andrea Miller’s intriguing "For Glenn Gould," while the talented performers of Sidra Bell Dance New York made all they could of Sidra Bell’s putrid "Pool."
Dance Review: 'Brazil! Brazil!'
This flashy, upbeat celebration of Brazilian music and dance is distinguished by its inclusion of freestyle footballers who delight us with soccer-ball juggling tricks.
With this latest work, choreographer-designer Shen Wei seems to be moving—or at least looking—backward, embracing the past rather than evolving new approaches to the art of dance.
Well known as one of the most fun-loving choreographers on the downtown dance scene, Larry Keigwin shows off his talent to amuse during the opening half of the program.
Dance Review: 'Ballet Hispanico'
Ballet Hispanico presents a smart work by Annabelle Lopez Ochoa, an uninspired premiere by Ronald K. Brown, and a flop by artistic director Eduardo Vilaro.
The American Ballet Theatre presents the splendid 1978 story ballet 'Lady of the Camellias,' based on the Alexandre Dumas novel that inspired both Verdi's opera 'La Traviata' and the Greta Garbo film 'Camille.'