Nothing can be more terrifying than the disintegration of a human mind. And as frightening a view as some of Sarah Kane's plays come to communicating that state, none come closer than her final work. A virtual monologue, it presumably places us inside Kane's own crumbling, feverishly tortured ...
LA Theater Review
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Rabbi Kroeller's (Bruce Nozick) moral compass shudders into overdrive when memories of the horrors of life in Poland during World War II under Nazi brutality and his equally ruthless involvement with the resistance collide with his survivor's guilt, his belief in a gentle God, and the human instinct ...
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Ronald Harwood's love for the performing arts — especially his own service to the flamboyant actor-director Sir Donald Wolfit in his exceptional work The Dresser — is clear to see.
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For years the classics have been set in different eras, and to a certain degree they have worked because the writing is brilliant enough to have sustained innovations.
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Lisa Loomer's hilarious and deeply moving new play follows a mother's quest to discover the right thing to do for her 8-year-old son, diagnosed with attention deficit hyperactivity disorder.
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Jerry Mayer's latest play is filled with earnestness.
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I couldn't help but feel that Don Cumming's self-directed piece was simply a faster, more accessible version ofLong Day's Journey Into Night.
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The latest stage incarnation of Bradbury's sci-fi literati treat is a kindhearted return to stylish material that's most definitely still got something to say.
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Patrick Marber's incisive, dramatically piercing, savagely funny 1997 script has been described as "a sexual square dance" of four characters who repeatedly change romantic partners¿a process aided by a complex structure that moves back and forth through time.
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The Civilians, a New York-based troupe, explores the subject of America's burgeoning evangelical Christian movement, zeroing in on Colorado Springs, Colo.
