LA Theater Review

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  • Review

    2 Pianos 4 Hands

    As targets of the Hollywood machine gun, we don't often have the opportunity to watch a story where the dreams that you dare to dream really don't come true.

  • Review

    The Sticking Place

    We're told this production is a radical adaptation of Shakespeare's "Macbeth," cast as a recurring dream of Lady Macbeth, and directed and designed by Chris Covics.

  • Review

    Love Water

    This latest play by Jacqueline Wright about the struggle of a young boy and a woman to find love amid an urban wasteland, leans too heavily on the abstract and poetic, thereby losing its theatrical power.

  • Review

    Facing East

    Carol Lynn Pearson's three-hander is an often-searing indictment of rigid values integral to monolithic systems like organized religion, as well as the impact such systems have on Ruth and Alex, a Mormon couple mourning the suicide of their gay son Andrew.

  • Review

    East of Berlin

    A teenage boy with father issues. Yeah, yeah, yeah, we've all heard that one. But when this particular boy is a German, living in Paraguay within a tight-knit community of ex-military expatriates since 1944, there's a different story to tell.

  • Review

    Hedda Gabler

    How do we manage to feel empathy for one of the most Machiavellian villainesses in dramatic literature? The title character in Henrik Ibsen's 1891 classic is a tricky role.

  • Review

    He Asked for It

    In this reworking of his 2008 play of the same name, Erik Patterson eloquently examines two of the more perplexing phenomena produced by the AIDS epidemic: men who deliberately choose to become infected, and others so angry and embittered by their affliction that they seek to infect others.

  • Review

    Schoolhouse Rock Live Too!

    These days, commercials for snacks and games still run during Saturday morning children's television programming, but what's missing are short, educational pieces set to catchy tunes.

  • Review

    Stranger

    This show is advertised as a "new spaghetti Western musical," which is a slight misnomer. It is a Western, in the Sergio Leone vein, and there is some excellent music by Tony Bollas but not quite enough to qualify as a musical.

  • Review

    Bach at Leipzig

    It's 1722 in  Leipzig, Germany. The Thomaskirche is in need of a new music director. Germany's top organists and choir leaders descend on the church to apply for the job.