Cornerstone Theater Company certainly knows who it is and what it's doing, particularly in its pieces developed out of community collaboration: Los Angeles–centric plays that are all about intention.
LA Theater Review
- Review
- Review
Despite the creators' pedigrees, this tuner comes across as a mildly tasty array of hors d'oeuvres rather than a theatrical feast.
- Review
The Circus Theatricals 14th Annual Festival of New One-Act Plays, Evening C
There are 15 plays in three evenings in this annual festival, a mere sample of what Circus Theatricals Studio Ensemble can accomplish in approximately 70 minutes
- Review
John Cameron Mitchell and Stephen Trask's rock musical about an "internationally ignored" transgender German rock star slipped into our consciousnesses at the start of the 21st century.
- Review
Stage biographies are often tripped up when the actor portraying the celebrity bears little resemblance to that person or, worse, attempts an impersonation that falls flat.
- Review
Among Alan Ayckbourn's earliest plays, this comedy zeroes in on four couples and takes an up-close look at one of the prolific British playwright's pet subjects: matrimony.
- Review
An Empty Plate in the Café du Grand Bouef
Imagine a world-class Parisian restaurant, complete with staff, owned by an eccentric millionaire who reserves it strictly for his own use.
- Review
Librettist-songwriter S. Claus' tuner is billed as "a groovy '70s musical."
- Review
'Cymbeline' is not known as one of Shakespeare's best, but this production makes the script fully comprehensible and even rather palatable.
- Review
The word dystopia is too genteel. The characters say it more appropriately in this Philip Ridley play: They're living in a hellhole of a world, where brutality can be bought.
