Every player is a comedic gem, and it is a pleasure to watch this improv-based cast, empowered by seasoned chops, seem free to fire off an ad-lib now and then.
LA Theater Review
- Review
- Review
It's rare for a play that seemed highly pertinent and provocative in its time to feel even more galvanizing nearly two decades later.
- Review
Given that the whole high-school experience lasts only a few years, it's amazing how long the effects resonate in our collective consciousness. And because these years are so crucial to the development of permanent self-esteem, do we ever really get over them?
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Like the snake who tempted Eve, the presence of a mysterious middle-aged woman named Mrs. Erlynne disrupts the harmonious marriage of Lady Margaret Windermere and her husband, Lord Arthur Windermere.
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Director Joel Daavid renews his production of William Gibson's play, originally at the Matrix Theatre, with a stunning show that includes several of the original cast.
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Director Marsha Moode's rendition of this spirited stage adaptation of Busby Berkeley's classic Depression-era film offers a mostly successful realization of the show's old-fashioned charms.
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Spanish playwright Lope de Vega (1562–1635) sailed with the Spanish Armada, served as secretary to the Duke of Alba, and indulged in scandalous love affairs, even after becoming a priest.
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An evening of two one-hour one-acts by writer-director Matt Morillo swings wildly from pointed, realistic, and interesting debate to pointless, ludicrous, and unfunny.
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This fluffy musical confection, based on Hans Christian Anderson's 'The Princess and the Pea' and celebrating its golden anniversary, opened on Broadway in 1959.
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Though the score introduced a few memorable Porter standards—most notably "It's De-Lovely"—the songs feel shoehorned into the plot and most come across as tepid here, victims of generally unremarkable singing and mediocre staging.
