Bringing the plays of Pinter alive on stage is obviously no easy trick. Finding a sense of mystery without being, in quotes, mysterious, is only one of many hurdles
LA Theater Review
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Presented by the Production Company at the Flight Theatre at The Complex, 6472 Santa Monica Blvd., Hollywood. Thu.-Sat. 8 p.m., Sun. 2 p.m. Dec. 2-Jan. 15. (310) 869-7546.
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Presented by Andak Stage Company at NewPlace Theatre Center, 4900 Vineland Ave., North Hollywood. Thu.-Sat. 8 p.m., Sun. 2 & 7 p.m. Dec. 3-Jan. 8, 2006. (818) 506-8462.
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Garcia is intent upon exploding the hundreds of ill-informed, often life-threatening myths about AIDS, and here her script is at its most devastating.
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Writer-director Roger Kumble—a prolific filmmaker ("The Sweetest Thing") and occasional playwright ("Turnaround")—turns to the realm of sitcoms in his latest work.
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Perhaps the story isn't new, but by not overreaching for a profound statement, or pushing the broader comedic elements, "Amy and Elliot" settles into a pleasant, at times quite funny, two-hour distraction.
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The Los Angeles Theatre Ensemble is presenting an original rock musical about group therapy. It's a valiant attempt from a talented company—if a bit on the underdeveloped, overly familiar side.
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The Beverly Hills Psychiatrist
More a skit than a play, the American premiere of this play by Cornelius Schnauber, translated by John Howard and Anne Adams, is exactly what you hoped for, given the play's title.
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Playwright-screenwriter Neil LaBute's best works provoke controversy and stimulate thought on vital social issues. Unfortunately, this piece seldom feels coherent, let alone engaging.
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John Stuercke's world-premiere play "The Berlin Dig" is an apparently earnest attempt to consider the world, or at least the warlike part of it.
