A wheelchair-bound immigration lawyer improbably follows a client to Eastern Europe for truth, love, or both in this earnest blend of poetry and preachiness.
Off-Broadway Review
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Despite some solid moments, Lucinda Coxon's comedy-drama about a crazed modern woman attempting to balance family, sex, career, and fear of mortality is as confused as its heroine.
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An intergalactic adventure teaches a plucky princess about the true meaning of love in this impressively scored and imaginatively staged opera.
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As a work of art, "Fanny" aspires more than it succeeds, despite arresting moments. The wan Encores! concert version manages neither.
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The National Theatre of Great Britain's series of broadcasts to movie theaters continues with a sprawling fantasy that will enchant both adults and children.
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This misbegotten thriller from Abingdon Theatre Company delivers a body blow to an ailing genre thanks to hokey dialogue and contrived plotting.
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Sam Shepard pens a darkly poetic American version of "Waiting for Godot."
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This two-hander on sex and power begins predictably but holds more than a few surprises, and Nina Arianda is an actor to watch.
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The Bridge Project begins its second season at BAM with a lyrical and inventive production of one of Shakespeare's most popular comedies.
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The Orphans' Home Cycle: Part Three-The Story of a Family
Now that the end of the cycle has been reached, I'm happy to say that what I hoped for after seeing Part One is true: Foote's final gift to the stage is glorious, an essential American masterwork.
