Off-Broadway Review

County of Kings

Anderson's narrative—a mix of hip-hop and poetic prose, English, and occasionally Spanish—is neither sentimental nor angry.

All's Well That Ends Well

"All's Well That Ends Well," offers an example of why the National Theatre is one of England's greatest treasures and why it could become, thanks to this series, one of the whole globe's.

Tanguera

A successful experiment in translating the language of tango dance into a choreography-driven, musical-theatre event.

Eye of God

Its title a Bible reference, this play may have you rooting for a released felon, even when you see he's committed an especially unspeakable crime.

All Through the Night

Shirley Lauro's well-intentioned drama about three gentile girls caught up in the chaos of the Third Reich bores rather than inspires.

Penny Penniworth

The source material for the 70-minute send-up "Penny Penniworth" is largely mid-Victorian English lit, and the comedic result is priceless.

Let Me Down Easy

Anna Deavere Smith continues her chronicle of American life with a heartfelt examination of how we relate to our bodies.

The Night Watcher

Sometimes people decide not to have children. When that happens, it's not unusual for loved ones to object or resist.

Still Life

Playwright Alex Dinelaris has a few entertaining tricks up his sleeve in this tale of an unhappy ad man and a blocked photographer.

Broke-ology

Economics as destroyer is the theme of Nathan Louis Jackson's moving new play "Broke-ology."