This play based on Isaac Bashevis Singer's "The Unseen" is a spooky adult fable, yet despite strong performances and vivid design, it drags as much as it provokes.
Off-Broadway Review
- Review
- Review
The National Theatre concludes its pilot season of broadcasts to movie theaters with a hilarious, bracing, and multileveled rumination on the creative process.
- Review
Maybe it's not so surprising that the Young@Heart Chorus' "End of the Road" could make you laugh or cry. But it can also make a full crowd dance.
- Review
Director Jonathan Demme is stuck in cinema mode for his theatrical debut, and Beth Henley's 75-minute script feels like a first draft.
- Review
Musicalizing sex columnist Dan Savage's 1999 book about adopting a child with his boyfriend might seem an unpromising idea, but the New Group's "The Kid" quickly persuades otherwise.
- Review
The Agony and the Ecstasy of Steve Jobs
Mike Daisey's accidental eulogy for the late Apple CEO fuses personal narrative and journalistic storytelling to create a captivating and relevant evening of theater.
- Review
Ivo van Hove brings Ingmar Bergman's masterful examination of death, family, and faith to the stage in a searing staging that brilliantly employs video, sound, and unflinching acting.
- Review
Dietrich & Chevalier: The Musical
“Dietrich & Chevalier: The Musical” is strictly for those looking for a quick nostalgia fix. Everyone else will be wise to steer clear of this unimaginative, thuddingly obvious jukebox bio-musical.
- Review
Like the object of its title, Marcus Gardley's "play with music" attempts to contain an ocean of ideas, characters, and plots, but the foundation is too weak, and the audience winds up getting soaked.
- Review
Whether employing bowling pins, pingpong balls, hatchets, flaming torches, or tiny fresh eggs, these guys can keep objects flying through the air between them with incredible speed and precision.
