Playwright Steve Willis has gotten some of the harder things right in his promising new play "Passing Ceremonies," including sharp characterization and coherent supernatural rules.
Off-Off-Broadway Review
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- Review
This collection of one-acts is a mixed bag but features some on-target acting and staging.
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NY Review: 'The Stranger to Kindness'
David Stallings' "The Stranger to Kindess," part of Frigid New York, employs too many clichés in its depiction of the loneliness of the urban jungle.
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NY Review: 'The Bad Date Project'
“Where is this going?” is not just a dating question. It also applies to this series of monologues that never becomes more than a sum of its parts.
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Jennifer Gibbs' new play seeks the mystery of existence only to drown in weak storytelling and empty dialogue.
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The now-forgotten Restoration playwright Susanna Centlivre is revived by a capable all-female cast in an entertaining and spirited production that falters only when it attempts to force itself into the 21st century.
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This benighted production proves to be a work of gob-smacking incompetence.
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In the subterranean world of "The Realm," playwright Sarah Myers attempts to engage the lives and deaths of words and hearts both figuratively and literally.
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Christopher Stetson Boal's new play wins points for originality, audacious theatricality, and brave and talented playwriting, even as it also frustrates us.
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This eroticized electro-opera about Christian chastity has loud fun but peaks early, a victim of its lack of a defined storyline.










