Though director Geordie Broadwater isn't able to completely mask Moss' meandering story, the three actors give extraordinarily rich and nuanced performances.
Off-Off-Broadway Review
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The cast works hard to add character dimension in this too-straightforward telling of Bernard Malamud's story.
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Director Julie Fei-Fan Balzer presents a brisk staging that seems fearful of the language, as if aimed at the attention-deficient.
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Allegra (Marnie Schulenburg) has a lot on her plate in the highly theatrical 'Pretty Theft'.
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Cracked Ice or Jewels of the Forbidden Skates
Where scientists and holy men have failed, send in the clowns.
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All Aboard the Marriage Hearse
Apart from their respective arguments being long-held and unyielding (and therefore tedious to outside observers), both characters demonstrate a credibility problem early in the play.
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If there's such a thing as Southern Gothic Revival in the American theatre, this world premiere of a play by Jacqueline Goldfinger might qualify.
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I will attempt to describe the evening as simply as possible, which will still make it seem more interesting than it is.
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'¡Americanize!', the four one-acts presented by Living Image Arts Theater Company, might make a lot more sense if the opener, Robert Askins' 'Anger and the Doughnut', was lopped off.
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For much of its first act, Linda Faigao-Hall's "God, Sex & Blue Water" has the makings of a warm, revealing exploration of a little-chronicled immigrant subculture, the devotedly Catholic Filipinos of Hoboken.
