Tim Grierson Reviews 'Men in Black III' and 'Moonrise Kingdom'
Tim Grierson reviews "The Intouchables," "Oslo, August 31st," "Mighty Fine" and "Cowgirls n' Angels."
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LA Review: 'Where the Great Ones Run'
Rogue Machine’s West Coast premiere of this country music–inspired play is beautifully designed and well performed but badly written.
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His new play, “Beautified,” needs streamlining, but Tony Abatemarco has keen insight into how desperately we need each other to get through our days.
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A couple of fun tableaus at the end of the piece provide a moment or two of relief, but otherwise the show is missable.
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Playwright Kirk Lynn and director Shawn Sides have fashioned a bracingly inventive paean to artistic creativity and the far-reaching influences of those who teach it.
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Art heals, and in writer-performers Steve Connell and Sekou Andrews' raucous hip-hop spoken-word performance piece, the healing begins the moment the wildly in-your-face pair hits the stage running.
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Vaudeville comedy blends with epic despair in Tony-winning director Garry Hynes' chilling and funny production of Seán O'Casey's rarely seen 1928 anti-war play.
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Director Cameron Watson sensitively handles the comedic and melancholic aspects of the story in equal measure. It is, however, Linden and Pickles' maturity as actors that makes the play.
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Strong singing and acting mitigate unfortunate attempts to modernize Noël Coward's 1929 operetta. Still, this is a welcome chance to hear the lovely score sung in dramatic context.
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Author-actor Brian Stanton's compelling one-man show about his search for his birth mother overcomes a few flaws to be a moving exploration of identity and a thought-provoking and challenging examination of abortion.
