Layered with provocative ethical questions, the play leaves us thinking even after it ends. Its topicality engenders reflection, as good theatre should.
Review
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at the Glendale Community
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In the worst gay-theatre year within memory, the West Coast premiere of this classy 2000 Off-Broadway revue seems like a life raft amid a sea polluted with theatrical flotsam. Expect lines around the block. What this charming vehicle about gay male culture lacks in startling new insights, it makes up ...
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Director Jered Barclay's stylistic hand is evident from the start, and it takes a bit to adjust to the rather freakish Becker's heightened performance.
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Jennifer Bridge shines as the headstrong, forward-thinking maid, and Bart Shattuck, Sharyn Case, and Rick Kopps provide ample comic support to the starring trio.
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Reviewed by Phyllis Goldman
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Once the master of the futuristic macabre, Ray Bradbury has also been known as gentle and lyrical, as in his semi-autobiographical musical Dandelion Wine. But he hasn't forgotten the dark Bradbury, as seen in the first piece in this double bill, To the Chicago Abyss, a tone poem about ...
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Christopher "Mr. Won Five 1981 Grammys Including Best New Artist" Cross does what he does, and that's all there is to it.
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Presented by and at the Pulse Ensemble Theatre, 432 W. 42 St., NYC, Feb. 22-March 24.
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It's a guy thing. In your senior year of high school your first girlfriend drops you, and you're sure she makes out with your best friend. You're devastated, really torn apart, bitter, and feeling like the dork of all time. You can't get it out of ...
