Emily: An Amethyst Remembrance
Director Steve Day's production of "Emily: An Amethyst Remembrance" is an attempt to dramatize the psychic life of Emily Dickinson.
Review
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You'll laugh your assets off at "The Informant," a first-rate comedy for our times and a smart, funny, incredible movie treat.
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Simple isn't easy, but playwrights Erik Jensen and Jessica Blank prove just how powerful it can be in their disquieting, moving, intensely human docudrama "Aftermath."
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The invaluable Mint Theater Company's genial production of Lennox Robinson's 1933 comedy (originally titled "Drama at Inish") keeps a smile on your face for two hours.
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Like an unruly child, Joshua Conkel's cheeky queer fantasia may not be perfect, but it certainly knows how to have fun.
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Based on a historical incident, Daniel Goldfarb's play turns the tale of anti-German vengefulness in the wake of the Holocaust into a barely believable series of melodramatic occurrences.
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With a mercifully light touch, writer-director Cédric Klapisch loosely weaves an array of stories, all embracing the film's lofty motifs: life, death, love, loss, age, youth, history, and modernity.
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Going to see "The Hole" is a bit like arriving all decked out at the hottest spot in town only to find out it's Christmastime and the fun people are on vacation.
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Took an Axe Productions has repurposed the 19th century's could-be killer as a hard-rock goddess in its brazen, rambunctious production of "Lizzie Borden."
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Apparently aiming at the ethnic big time à la "Passing Strange" or "In the Heights," this well-intentioned show needs work if a Broadway shot is ever on the horizon.
