Séances, table tipping, spirit photography, and the Fox sisters all figure prominently in "Ectospams," a charming movement meditation.
Review
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Unfortunately for writer-composer Ben Knox, his largely unclever low-camp musical "For the Love of Christ!" is neither intelligent enough to be satirical nor ballsy enough to be subversive.
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Despite its juvenile title, "Finger Paint" is a marvelous work of theatrical brio. Tapping the talents of its four audacious young actors, the play tackles love, sex, and art without sentimentality.
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Andrew Unterberg has all the ingredients for a diverting suspenser in the mold of Ira Levin or Shirley Jackson; instead, he's opted for a serious psychological drama, something his characters and story can't support.
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"World's Greatest Dad" is a mildly amusing comedy that, regrettably, doesn't have the courage of its convictions.
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An evening of exceptionally musical choreography performed by a troupe of dancers who look like your next-door neighbors, accompanied by classical-music stars.
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As Noël Coward once wrote, "Ninety minutes is a long, long time," and that sentiment certainly applies to Rag 'N Bone Theatre Company's frenetic, misguided stage adaptation of Dylan Thomas' screenplay "The Doctor and the Devils."
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Time to take a ride on the Q.T. train again. This Quentin Tarantino long-in-gestation World War II epic is easily his best.
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If it's style you're lookin' for, the dames have got it in spades.
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In the brief curtain raiser preceding writer-director Gordon Bressack's debuting sex farce, one actor (Bressack) tells another (Marie Broderick) that what they are presenting is only filler. Halfway through the first act of the play, that description still applies.
