Twelfth Night or What You Will
A bevy of extraordinary actors takes to the trees in Plummer Park with the kind of merrymaking glee the Bard's merry men must have had when they were playing to the groundlings in the early 17th century.
Review
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This 1975 musical, based on Charles M. Schulz's "Peanuts," was obviously meant to be a sequel to the earlier and highly successful show "You're A Good Man, Charlie Brown."
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Though short—only 55 minutes—"Flight" offers a potent mix of writer-director Tim Aumiller's trenchant script and a pair of terrific performances.
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Playwright Judy Chicurel makes her theatrical debut with "Damon and Debra." What the writer lacks in sophistication, she makes up for with a sympathetic touch for her characters.
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Abraham Lincoln's Big, Gay Dance Party
Political infighting is made exceedingly entertaining in this wild, red-state-versus-blue-state satire.
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This slice-of-cooking-life solo show stars a well-padded grandmother who celebrates butter and offers parodies of right-wing bugaboos. Dig in!
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White Horses: An Irish Childhood
This one-man autobiographical solo show has its attractions but needs to plow fresher ground.
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Michael Edison Hayden's new play about the relationship between a professional dominatrix and her client thankfully eschews the sensational and proves surprisingly engrossing and ultimately touching.
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In plays such as "Nocturne" and "Bingo With the Indians," Adam Rapp has incisively explored the darker recesses of the human soul.
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This play tracing Lady May Lawford's May-December relationship with the young pianist she hires to write her memoirs lacks focus and variety.
