Writer-director Issa López's film (based on an idea by Ignacio Darnaude) tells the story of four feisty Mexican women who enter a national competition to win a starring role in a major motion picture based on a popular Mexican soap opera.
Review
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There are, of course, the people who do all those things. You know, those things that are going on right now while we try not to think about them.
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The famous murder of Kitty Genovese in view of 38 apathetic witnesses makes for sincere but less-than-thrilling theater in this solo drama.
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Promisingly brisk initially, this comedy is ultimately a leaden queer version of "Crimes of the Heart," with pretensions of exploring the nature of the 21st-century family.
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A fearless and very funny black comedy about life, death, and the people who watch both from the sidelines.
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A sparkling one-woman show about dance therapist Elizabeth Polk makes for absorbing drama.
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“Lethally bland” is perhaps too harsh a description for this derivative but harmlessly giddy musical marshmallow.
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A tedious, pretentious look at how celebrities are unable to speak their minds without being crucified by the public and the press.
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America's Next Top Bottom: Cycle 5!
More of an extended cabaret sketch than Fringe theater, at least these game performers know the drill—very, very well.
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The Fall of the House of Usher
This naive musical nevertheless gives it the old college try.
