at the Celtic Arts Center
Review
- Review
- Review
It starts with an unfinished song. And that's kind of a promissory note to audiences who expect a neat and tidy tying-up of plot and laying-out of details by the time the last verse is in place.
- Review
A NAKED GIRL ON THE APPIAN WAY
As in many of Richard Greenberg's plays, characters take second place to interesting turns of phrase, sparkling one-liners, and arcane philosophical meanderings. But they do it in such a stylish way and with such boundless charm and good cheer that it is easy to avoid quibbling with tiny details ...
- Review
Joyce Sachs'Equinoxis the equivalent of a dull party that takes place in a beautiful house. What makes this two-act period piece frustrating is that its three characters were real people and most likely much more interesting than they are imagined here. Despite one strong performance and two adequate ones ...
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I don't know that I've ever seen John Steinbeck play like Neil Simon before.
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A curtain depicting a barren countryside scene in winter glides across the stage as eerie, vaguely Gaelic music plays.
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Director Marcy Arlin pulls maximum drama from each startling reversal, and Art Rotch's set perfectly expresses village intimacy.
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Self-presented at Peter Norton Symphony Space's Peter Jay Sharp Theatre, 2537 Broadway, NYC, April 11–13.
- Review
at the Hermosa Beach
- Review
at Playhouse West
