Less than a year after the debut of Dolly Parton’s "9 to 5: The Musical," here's another pre-Broadway tuner based on a film comedy from yesteryear about fed-up women scheming to wreak revenge upon chauvinist-pig men.
Review
- Review
- Review
Michael Puzzo's new play is a pretentious misfire.
- Review
This capable revival of Garson Kanin's unsuccessful Broadway swansong can't undo the original verdict.
- Review
This dazzling Latin and ballroom dance revue is brilliantly performed by a cast of international dancesport champions.
- Review
There's a cold-bloodedness to "Lorna's Silence," the latest film from French filmmaking brothers Jean-Pierre and Luc Dardenne.
- Review
Michael Gazzo's play, written in the early 1950s, had innocence on its side then, which negates its impact on today's audience.
- Review
George Bush, the love of Jesus, patriotism, the institution of heterosexual marriage, right-wing conservatism, and couples playing switcheroo with multiple sex partners are all present and accounted for in writer-director Justin Tanner's comedic one-act, "Wife Swappers."
- Review
As far as most of the autobiographical information goes, Ana Guigui's 90-minute one-woman show covers well-tread, yet interesting, territory.
- Review
Reasonably affluent theatergoers who espouse liberal sociopolitical views might be taken aback to find themselves the key satiric target of Bruce Norris' savage dark comedy, "The Pain and the Itch."
- Review
You never quite get how truly brutal Shakespeare is on the pompous, social-climbing sourpuss Malvolio in "Twelfth Night" until you watch a true craftsman like Patrick Page (of Broadway's "The Grinch") ply his trade.
