It used to be that once you saw Pilobolus perform, there was no need to see the company again anytime soon. But no longer.
Review
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Director Lev Dodin, who also adapted Vasily Grossman's novel, accomplishes something rare with his Maly Drama Theatre production of "Life and Fate": He simultaneously leaves the audience behind and ahead of the action.
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While it could use an editor, Jeff Cohen's "The Soap Myth" has a powerful impact. Inspired by real events, the docudrama centers on Milton Saltzman, a Holocaust survivor who is trying to convince museum historians to believe his eyewitness account of Nazis making soap out of body fat from ...
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Alongside the more grandiose offerings at Lincoln Center Festival 09, Béla Pintér and Company's "Peasant Opera" requires an intimate staging.
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It used to be that once you saw Pilobolus perform, there was no need to see the company again anytime soon. Its gymnastic, shape-driven works, though undeniably intriguing, were all of a very similar aesthetic.
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Director-choreographer John Farmanesh-Bocca knows what he wants in his retelling of "Pericles, Prince of Tyre," and he thrives best when bringing his dancer's sensibilities to the mix.
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To its credit, Diana Son's 1998 Off-Broadway play defies easy categorization. The opening scene suggests a meet-cute setup in a lesbian romcom.
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In this one-person show written by Dennis Paoli, Jeffrey Combs plays Edgar Allan Poe, a writer of 19th-century America's macabre poems and short stories, an early orphan, an early widower, and a reputed alcoholic.
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Even if it looks and sounds authentic to its era, as this staging does, does it have any bearing in a world where the ideals of the counterculture are now only a distant memory?
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Playwright Steve Willis has gotten some of the harder things right in his promising new play "Passing Ceremonies," including sharp characterization and coherent supernatural rules.
