Review

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  • Review

    It Pays to Advertise

    Ambrose, one of the bright young men in this screwball comedy, exclaims, "Advertising is responsible for everything!"

  • Review

    Love N' Dancing

    It's hard to believe this film got all the way to theatres with the title 'Love N' Dancing', but—as when a waltz or samba is announced—at least one knows what to expect.

  • Review

    Oh Virgil! A Theatrical Portrait

    As depicted by playwright-director Wallace Norman, the composer and music critic Virgil Thomson was one of the most irascible, impossible, and utterly obstreperous artists of the 20th century.

  • Review

    Christmas Is Miles Away

    Though director Geordie Broadwater isn't able to completely mask Moss' meandering story, the three actors give extraordinarily rich and nuanced performances.

  • Review

    Emilie: La Marquise Du Châtelet Defends Her Life at the Petit Théâtre at Cirey Tonight

    If you're the kind of person who has ever wondered what little sobriquet Voltaire's sweetie pie gave him, this just might be the production for you.

  • Review

    The Temperamentals

    Gay artists are reclaiming their history. Like "Milk," Jon Marans has done something similar for Harry Hay in his bright and affecting new play, "The Temperamentals."

  • Review

    Everyday Rapture

    The world was created for Sherie Rene Scott. This is one of the options presented by "Everyday Rapture," her one-woman autobiographical show—which is neither strictly one-woman nor strictly autobiographical.

  • Review

    The Assistant

    The cast works hard to add character dimension in this too-straightforward telling of Bernard Malamud's story.

  • Review

    Galileo

    Director Julie Fei-Fan Balzer presents a brisk staging that seems fearful of the language, as if aimed at the attention-deficient.

  • Review

    Little Ashes

    Pattinson is a standout as the sexually ambiguous and wildly quirky Dalí, given to flamboyant costumes, displays of self-importance, and rehearsed affectations.