If there's such a thing as Southern Gothic Revival in the American theatre, this world premiere of a play by Jacqueline Goldfinger might qualify.
Review
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"There are no coincidences" is not just the mantra of Craig Lucas' dense and deeply felt 'The Singing Forest' ; it's also the three-act play's organizing structural principle.
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I will attempt to describe the evening as simply as possible, which will still make it seem more interesting than it is.
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'¡Americanize!', the four one-acts presented by Living Image Arts Theater Company, might make a lot more sense if the opener, Robert Askins' 'Anger and the Doughnut', was lopped off.
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John Lithgow: Stories by Heart: Uncle Fred Flits By
About the only thing that doesn't work in John Lithgow's one-man show 'Stories by Heart' is the title.
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As he did with his groundbreaking 1999 revival of 'Death of a Salesman', Robert Falls shatters expectations and forces us to rethink an American classic.
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'A Nervous Smile' is an affecting cry of the heart from playwright John Belluso.
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For much of its first act, Linda Faigao-Hall's "God, Sex & Blue Water" has the makings of a warm, revealing exploration of a little-chronicled immigrant subculture, the devotedly Catholic Filipinos of Hoboken.
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'Noir' is a studiously rendered exercise in translating the visual aesthetic of film noir into a live theatre experience.
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In the early 1970s, Christopher Hampton's "The Philanthropist" must have shocked some audiences with its frank-for-its-time depiction of violence and loose sexuality.
