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  • Review

    London Assurance

    The National Theatre of Great Britain has given us a delightful summer cocktail with a rousing knockabout production of Dion Boucicault's 1841 comedy "London Assurance."

  • Review

    The Little Death: Vol. 1

    This eroticized electro-opera about Christian chastity has loud fun but peaks early, a victim of its lack of a defined storyline.

  • Review

    Thurgood

    America's racial policy of "separate but equal" galled a young black man named Thurgood Marshall no end. Fortunately, he came equipped for battle.

  • Review

    The Barker Poems: Gary the Thief and Plevna: Meditations on Hatred

    You might not feel the felicity of Barker's language and the power of his observations by merely reading these poems rather than hearing them recited. Then again, you might.

  • Review

    Salt

    Angelina Jolie, for all intents and purposes, is James Bond in her new film "Salt," and it's really no surprise that Jolie, the only female action star in Hollywood, more than measures up to Daniel Craig.

  • Review

    Kisses

    "Kisses" is a touching drama centering on two teens, quiet boy Dylan (Shane Curry) and the precocious girl next door Kylie (Kelly O'Neill), as they run away from their abusive homes on the outskirts of Dublin, Ireland.

  • Review

    The Dry Land

    Ryan Piers Williams' film "The Dry Land" brings to light the searing plight of the American soldier, not in the throes of action but back home after service to country.

  • Review

    Cairo Time

    While Ruba Nadda's film is marketed as a romance with the exotic Egyptian capital, in reality the film is the quiet and complex unfolding of romance between two adults.

  • Review

    Secrets of the Trade

    Playwright Jonathan Tolins hits the bull's-eye with his new comedy-drama. I have one word for you: pounce.

  • Review

    The Altoona Dada Society Presents 'The Velvet Gentleman'

    Ambition overreaches ability in Jon Steinhagen’s split-personality comedy about the backstage tribulations of a theater company attempting to perform a Dadaist biography of Erik Satie.