The Working Actor

Why SAG-AFTRA’s User Agreement Makes Sense

The fine print can seem contradictory, but Michael Kostroff and SAG-AFTRA’s Pamela Greenwalt reassure members that the union is serving their best interests.

When Should I Give Up on My Agent?

Michael Kostroff talks about the importance of growing with start-up agencies—and the importance of shopping around on the side.

Expand Your Career Options With the Actors Fund

Working Actor Michael Kostroff advises you to check out the work training available at Actors Fund, which will offer you a safety net in the future.

Understanding SAG Foundation Casting Access Project

Michael Kostroff turns to the program director for SAG-AFTRA’s CAP for a clearer picture of what the sessions are like.

How Unrepresented Talent Can Get Seen

What are the options for unrepresented talent, if not CD workshops? How do we get agents to look at us without a referral?

Top 10 Questions Actors Want Answered

There's no simple route. Getting a good agent is not something you can spend a great deal of time working on directly.

How to Win Jobs and Market Yourself

Michael Kostroff explains how to find your type and avoid vague branding.

Kissing Caution

I am auditioning for a part that requires me to kiss someone I've never met. How can I be certain this person is not sick and doesn't have any easily transmittable diseases, such as herpes?

A 'Working Actor' Success Story

"I'm a teen living on the East Coast. This sounds extremely cliché, but I can't even explain to you in words how much I love acting. I am now ready to start my career in television and in feature films."

The Top 10 Acting Myths

Many studios and schools pride themselves on training their actors to be able to "play anything." As if casting directors are going to consider all actors equally for all roles.