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  • Reviews

    Black Watch

    The play is in itself a contradiction in terms: It's an anti-war -- or at any rate anti-Iraq War -- play, but it's rooted in love for the military and regimental pride, lifting it out of cliché and anchoring it in ambiguity.

  • Reviews

    Otello

    The performers here are quite operatic in voice, some more marvelously than others. But modern audiences increasingly expect a little acting with their opera.

  • Reviews

    Assassins

    Stephen Sondheim and John Weidman's 1990 musical about the role of presidential assassins in American society is a virtual tabula rasa for any director.

  • Reviews

    The Chocolate Soldier in Concert

    Presented by Musicals Tonight!, casting by Stephen DeAngelis, at the 45th Street Theatre, 354 W. 45 St., NYC, March 29–April 10.

  • Reviews

    THE ROAR OF THE CROWD

    In his heyday, Roscoe Arbuckle was the highest-paid performer of the silent movie era; his salary exceeded that of Charlie Chaplin. But he was referred to as "Fatty," and a false accusation of rape against this gentle, comedic behemoth destroyed his career and, to a sad degree, his acting legacy ...

  • Reviews

    Territory

    Presented by and at the Bottle Factory Theater Company, 195 E. Third St., NYC, May 21-July 13.

  • Reviews

    NOISES OFF

    at the Maverick Theater

  • Reviews

    CLAIRE Z.

    at Sacred Fools Theater

  • Reviews

    CABARET

    at the Simi Valley