LA Theater Review

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  • Reviews

    A Magic Christmas

    Presented by Andak Stage Company at NewPlace Theatre Center, 4900 Vineland Ave., North Hollywood. Thu.-Sat. 8 p.m., Sun. 2 & 7 p.m. Dec. 3-Jan. 8, 2006. (818) 506-8462.

  • Reviews

    Portrait of Ten Women

    Garcia is intent upon exploding the hundreds of ill-informed, often life-threatening myths about AIDS, and here her script is at its most devastating.

  • Reviews

    Three By Mee: Part 2, The Bacchae

    Charles Mee's reinvention of Euripides' cosmic battle of nature and civilization, of gods and man, is enacted with a stinging contemporary edge.

  • Reviews

    The Julio Brothers

    In Gino Aquino and Lance Petersen's one-act play, theJulio Brothersare a trio of Rochester, N.Y., siblings who flunk out of a thriving career as drug dealers and decide to give the legit world a try.

  • Reviews

    Mercury Fur

    The U.S. premiere of British playwright Philip Ridley's 2005 shocker unfolds like a muted nightmare set in a vaguely defined near-future time when lawlessness is the order of the day. Two

  • Reviews

    Hello and Goodbye

    Fugard's play about more domestic concerns.

  • Reviews

    She Always Told Me

    Actor-playwright Annie Mebane has written 12 vignettes for herself and three performers on the wide-ranging subject of "the societal role of women in American culture."

  • Reviews

    Arlington

    There are countless clarion calls to end war and warring these days, a message repeated endlessly in the hope that someone at the top of the power grid will listen to what the people have to say. Some of these statements are obvious and harshly stated, but Garry Michael White ...

  • Reviews

    Black Watch

    The play is in itself a contradiction in terms: It's an anti-war -- or at any rate anti-Iraq War -- play, but it's rooted in love for the military and regimental pride, lifting it out of cliché and anchoring it in ambiguity.

  • Reviews

    Otello

    The performers here are quite operatic in voice, some more marvelously than others. But modern audiences increasingly expect a little acting with their opera.