LA Theater Review

Sort by:

  • Reviews

    'Nami

    Playwright Chad Beckim's piece on the sale of children in the sex-slave market builds with genuine tension but reaches a gory climax that is arbitrary and strains credulity.

  • Reviews

    Prove It on Me

    Directed by Kelly Ann Ford, the story, though, predictable, might have worked, if not for an abundance of clichéd dialogue and a supporting performance that knocks the show's overall quality down another few notches.

  • Reviews

    Desperate Writers

    There is potential hilarity in the trials and tribulations of Hollywood writers who battle with capricious studio executives, but the storytellers should set a consistent comedic style.

  • Reviews

    Respect: The Girl Em-Powered Musical

    Vanderbilt professor Dorothy Marcic has avoided many obvious theatrical and political pitfalls in her survey of women in popular music in 20th-century America.

  • Reviews

    Omnium Gatherum

    This eloquent, funny, provocative riff on 9/11 and its aftermath, by Theresa Rebeck and Alexandra Gersten-Vassilaros, gets a bang-up production by directors Ellen Geer and Rob Walker and the terrific Theatricum ensemble.

  • Reviews

    Second Thoughts

    "Second Thoughts," presented by the city of West Hollywood and Bare Bones Theatre at the Great Hall, Plummer Park, 7377 Santa Monica Blvd., West Hollywood. Fri.-Sat. 7 p.m., Sun. 3 p.m. Oct. 22-Nov. 13. $15-20. (323) 461-5570.

  • Reviews

    Getting Out

    Marcia Norman's schizophrenic play cannily posits that splitting a personality is as simple as splitting an infinitive.

  • Reviews

    Gulliver's Travels

    This 'Gulliver's Travels' is firing on all cylinders. Josh Zeller's sharp adaptation, the creative multimedia effects, and the fun costumes; P. Adam Walsh's snappy direction; and a remarkably versatile cast, headed by Keythe Farley, are ideal.

  • Reviews

    The Immigrant

    This handsome and enjoyable production packs an emotional punch.

  • Reviews

    The Underpants

    Comedy is sticky-wicket business. It gets even trickier when 100 years pass and translation is involved.