LA Theater Review

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  • Reviews

    Bush Is Bad: Alaska Beauty Queen Edition

    Fair and balanced? Definitely not. Composer and lyricist Joshua Rosenblum puts W. squarely in his sights and unleashes a withering blast of satire in this musical revue.

  • Reviews

    Twist

    The young heroes and heroines of Charles Dickens' novels are invariably subjected to terrible trials and tribulations, but until now nobody ever suggested that the characters enjoyed it.

  • Reviews

    Henry V

    Rarely have Shakespeare's other historical dramas reached the grandeur of this one, the Bard's portrayal of "good King Harry," the Lancastrian monarch who won the Battle of Agincourt.

  • Reviews

    The Taming of the Shrew

    Shakespeare's classic comedy didn't need to be set in the postwar Italy of 1948 to showcase its biggest laughs. But in doing so, director Carl Reggiardo is able to ratchet up the slapstick in this under-the-stars staging.

  • Reviews

    Still Photos

    Elements of this memory play are well-conceived and well-staged. The intertwining of past and present is structured seamlessly, as a grandmother relives her doomed love affair with another woman.

  • Reviews

    Freezing Antarctica

    "Standing on your head, anything is possible-in freezing Antarctica." Bill Sterritt frequently uses this refrain in his quirky play, which he also directs.

  • Reviews

    Henry IV, Part I

    The balance of the production is uneven. When Hal and Falstaff are off stage, much of the energy drops.

  • Reviews

    The Women

    I went with the hope of expunging the memory of the recent cinematic remake of Clare Boothe Luce's sharply observed look at life among women of means.

  • Reviews

    The Playground

    Few musicals in recent years have been more frustrating than this one. The subject matter-homeless youth-is compelling.

  • Reviews

    Jackson Frost

    All of the performances were so exquisitely alive, the arts of listening and unselfconscious participation so in full use, that this had to be one of those heightened evenings that result from offstage exigencies.