LA Theater Review

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  • Reviews

    Omnium Gatherum

    This eloquent, funny, provocative riff on 9/11 and its aftermath, by Theresa Rebeck and Alexandra Gersten-Vassilaros, gets a bang-up production by directors Ellen Geer and Rob Walker and the terrific Theatricum ensemble.

  • Reviews

    Second Thoughts

    "Second Thoughts," presented by the city of West Hollywood and Bare Bones Theatre at the Great Hall, Plummer Park, 7377 Santa Monica Blvd., West Hollywood. Fri.-Sat. 7 p.m., Sun. 3 p.m. Oct. 22-Nov. 13. $15-20. (323) 461-5570.

  • Reviews

    Getting Out

    Marcia Norman's schizophrenic play cannily posits that splitting a personality is as simple as splitting an infinitive.

  • Reviews

    Gaslight

    Though the 1944 George Cukor film version is generally considered a classic, this long-winded tale of extreme mental cruelty, and worse, hasn't aged well.

  • Reviews

    St. Joan and the Dancing Sickness

    Somewhere in rural Louisiana in 1999, a community is forced to face up to the cruelty and corruption of its state government.

  • Reviews

    Never Land

    In writer-director Phyllis Nagy’s unnerving 1998 tragicomedy the playwright explores ennui and tensions emanating from European class and cultural differences and within family relationships.

  • Reviews

    Third

    The late Wasserstein left a legacy of intelligent plays. In this one, her final work, she fashioned a piece that's absorbing -- funny, poignant, and cerebral -- but regrettably bogged down by dramaturgic contrivances that compromise its impact

  • Reviews

    Putting It Together

    As a black-tie party in a Manhattan skyscraper progresses and everyone drinks a little too much, intimate secrets emerge as the characters confront their lives and ambitions.

  • Reviews

    Love & Sex in the Earth's Spin Cycle

    One of the keys to successful dating, explains writer-performer Lambeth Sterling, is to look for "the less fucked."

  • Reviews

    The Time Machine

    Until Julian Bane and Phil Abatecola clicked on to their laptops, no one had attempted a stage version of this far-reaching fantasy. This ill-fated version doesn't bid fair to be the one that breaks down any barriers.