LA Theater Review

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  • Reviews

    Harm's Way

    It's a grim, eloquent, tautly written play, skillfully directed by Steve Zuckerman on a bleak, all-gray set. Stehlin richly captures the grief and gravitas of a career officer who must face the fact that his personal hell has become enmeshed with the hell of war.

  • Reviews

    Hello and Goodbye

    Fugard's play about more domestic concerns.

  • Reviews

    She Always Told Me

    Actor-playwright Annie Mebane has written 12 vignettes for herself and three performers on the wide-ranging subject of "the societal role of women in American culture."

  • Reviews

    Arlington

    There are countless clarion calls to end war and warring these days, a message repeated endlessly in the hope that someone at the top of the power grid will listen to what the people have to say. Some of these statements are obvious and harshly stated, but Garry Michael White ...

  • Reviews

    The Last Days of Judas Iscariot

    The premise is ingenious, but the indulgent script cries out for stronger focus. Nonetheless, this superbly acted rendition offers considerable rewards, capitalizing on Guirgis' slyly irreverent humor and incisive exploration of heady themes.

  • Reviews

    Old Times

    Presented by Foggy Day Productions at the El Portal Forum Theatre, 5269 Lankershim Blvd., North Hollywood. Thu.-Sat. 8 p.m., Sun. 3 p.m. Oct. 14-Nov. 20. (800) 880-2588.

  • Reviews

    Blue/Orange

    Whether sanity is in the eye or the mind of the beholder is the question driving Joe Penhall¿s 2000 drama, which also seemingly takes a leaf from John Guare¿sSix Degrees of Separation.

  • Reviews

    Is This Any Way to Start a Marriage?

    Marriageis a stupefying blend of stale sitcom and banal drama, periodically interrupted by poorly integrated songs.

  • Reviews

    No Man's Land

    Working-class Brits turned poets in Harold Pinter's 1950s plays give way to characters lost in a world of affluent privilege in this 1974 play.

  • Reviews

    Deskapades

    All nine of the desk-themed 10-minute plays in this production are, without exception, unworthy of being formally presented to the public.