LA Theater Review

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  • Reviews

    Otello

    The performers here are quite operatic in voice, some more marvelously than others. But modern audiences increasingly expect a little acting with their opera.

  • Reviews

    Gulliver's Travels

    This 'Gulliver's Travels' is firing on all cylinders. Josh Zeller's sharp adaptation, the creative multimedia effects, and the fun costumes; P. Adam Walsh's snappy direction; and a remarkably versatile cast, headed by Keythe Farley, are ideal.

  • Reviews

    The Immigrant

    This handsome and enjoyable production packs an emotional punch.

  • Reviews

    The Underpants

    Comedy is sticky-wicket business. It gets even trickier when 100 years pass and translation is involved.

  • Reviews

    Dames at Sea

    This 1968 Off-Broadway relic has remained a durable confection due to its sweetness of spirit in affectionately serving up a pastiche rather than spoofing, channeling the quaint but charming conventions of 1930s tuners.

  • Reviews

    My Fair Lady

    O'Hare gives a performance appropriate to a stage the size of the Ahmanson's and to a 30-seat house, detailed and subtle yet visible to all.

  • Reviews

    Hello and Goodbye

    Fugard's play about more domestic concerns.

  • Reviews

    She Always Told Me

    Actor-playwright Annie Mebane has written 12 vignettes for herself and three performers on the wide-ranging subject of "the societal role of women in American culture."

  • Reviews

    The Julio Brothers

    In Gino Aquino and Lance Petersen's one-act play, theJulio Brothersare a trio of Rochester, N.Y., siblings who flunk out of a thriving career as drug dealers and decide to give the legit world a try.