Hollywood filmmakers have come to a small village in County Kerry, Ireland, to make a movie, giving bored working-class citizens the thrill of playing extras. The pivotal characters are local yokels Charlie (Friedman) and Jake (Richardson), each yearning for a shot at Hollywood glamour and fame. The personal values of the visitors from Tinseltown prove shallower than expected, best exemplified by a flirtatious film star, the bawdy Caroline (Friedman in an uproarious turn), who catches Jake's fancy. Richardson likewise shines in a female role, that of Aisling, an uppity young assistant director eager to climb the studio ladder.
Richardson excels as another eccentric Kerry resident, 70-year-old Mickey, who considers himself a seasoned vet, having performed as an extra in John Ford's film classic "The Quiet Man." It takes Richardson no more than an instant shift to a stooped posture and an immediate change in voice to bring this codger to life. Friedman pulls off equally impressive lightning-swift segues. The mood darkens following a suicidal drowning, as the play's title takes on literal and figurative significance. Though the script is less than the sum of its parts, Djukic's polished production and the appealing actors should satisfy most audiences.
Presented by TUTA Theatre West at the Zephyr Theatre, 7456 Melrose Ave., L.A. Aug. 19-Sept. 17. Thu.-Sat., 8 p.m. (No performance Sat., Aug. 27.) (323) 960-7822 or www.plays411.com/stones.














