Movie Review

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  • Reviews

    When We Leave

    The German entry for the best foreign language film Oscar this year did not make the Academy honor roll, but it has its moments, no matter how melodramatic they might seem at times.

  • Reviews

    Shrink

    The new indie release "Shrink" is an odd duck. On one hand, it wants to be taken seriously as a character study of a psychiatrist who must navigate the lives of several Hollywood types while trying to keep his own on track.

  • Reviews

    I Hate Valentine's Day

    When your very first movie became perhaps the biggest sleeper hit in history, with worldwide grosses topping $360 million, what can you possibly do for an encore?

  • Reviews

    Cold Weather

    Come to "Cold Weather" expecting a good mystery, and you'll likely leave disappointed. But keep an open mind and you'll recognize writer-director Aaron Katz's latest as a beautifully shot, expertly paced little film.

  • Reviews

    Brotherhood

    College is widely lauded as a time for self-discovery and new experiences. The form these discoveries and experiences take is rarely that of theft, blackmail, and murder.

  • Reviews

    Multiple Sarcasms

    Timothy Hutton's latest movie, the independent "Multiple Sarcasms," proves that with the right material, he's still a terrific actor.

  • Reviews

    Memphis Beat

    Television needs another cop show about as much as the Gulf of Mexico needs more oil, but in both cases, no one has been able to stanch the flow.

  • Reviews

    Pilobolus

    It used to be that once you saw Pilobolus perform, there was no need to see the company again anytime soon. Its gymnastic, shape-driven works, though undeniably intriguing, were all of a very similar aesthetic.

  • Reviews

    The Lodger

    Like Brian De Palma before him, writer-director David Ondaatje is obsessed with Alfred Hitchcock.

  • Reviews

    The Messenger

    The performances  in "The Messenger" are the most striking element in Oren Moverman's first-time directorial effort.