The basic plot is simple, a sort of twisted take on "Frankenstein," revolving around renowned plastic surgeon Dr. Robert Ledgard (Banderas), whose wife was burned in a car accident, spurring him to invent a new kind of skin that might have saved her. It has taken 12 years, but he has finally perfected this shield-like skin and needs a guinea pig to try it out. This brings Vera (Anaya) into his life and lab, as she undergoes a complicated transformation. For the film's first hour or so, Banderas keeps his character focused and in tight control. It may be the most internal performance this fine actor has ever given, as whatever demons appearing later are kept deep inside. Banderas essentially underplays it, making the power of the plot's tricky transitions all the more plausible and powerful. Anaya has it even tougher, as she must play much of her role in a nude leotard and behind a mask. Falling back on the essence of screen acting, she uses her eyes like actors did in the great silent movies. Her frequent yoga-style movements are mesmerizing, and ultimately this unique character wins us—and Robert—over in ways you will have to see to believe. Also standing out in the fine Spanish cast are Marisa Paredes, as Robert's faithful servant, and Jan Cornet as a young man in for more than he bargained.
"The Skin I Live In" is almost Hitchcockian in its style, but Almodóvar has ultimately crafted a cat-and-mouse game of changing identity that's as fascinating as it is positively chilling to watch.
Genre: Drama
Directed by Pedro Almodóvar
Written by Pedro Almodóvar and Agustin Almodóvar
Starring Antonio Banderas, Elena Anaya, Marisa Paredes, Jan Cornet














