New York Theater

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  • Reviews

    Party Time

    Though brief -- running under 60 minutes --Party Timepacks more of an emotional and intellectual punch than many plays running two or three times as long.

  • Reviews

    Karen Mason

    Mason has a voice roughly the cabaret equivalent of a 9030T series John Deere tractor. When she lets it go, the only thing for a patron to do is get out of its way.

  • Reviews

    Mixed Tape 2007

    The concept forMixed Tape 2007is interesting. One playwright writes a short play, then a second scribe takes one character from this scene and writes her own short play.

  • Reviews

    3 Sisters

    In addition to a daunting three-hour running time in a teeny-tiny theatre, the pace of this particular production lapses with annoying frequency.

  • Reviews

    Bye, Bye Big Guy

    Musical comedy construction can't get more ramshackle thanBye, Bye Big Guy, which uses a memorial service for Rumpelstiltskin as a jumping-off point to spoof all things showbiz.

  • Reviews

    The Fall and Rise of the Rising Fallen

    Spinal Tap wasn't a real band, but it was made up of people playing music, thus, uh, making it a band.

  • Reviews

    Roberta (In Concert)

    Jerome Kern's melodious 1933 ode to Paris fashion might seem an odd choice for the modest means of producer Mel Miller's enterprising company.

  • Reviews

    Capture Now

    Josh Jonas is a suitable storyteller, but his writing inCapture Now, his one-man show about brotherly bonds, could use some serious work.

  • Reviews

    Moonlight

    The genius of Harold Pinter is his ability to take commonplace situations and ordinary people, then warp their world with a hyper-realistic, often illogical theatricality.

  • Reviews

    Candida

    Michael Halberstam has given George Bernard Shaw's early comedy a very polished revival that is elegant and amusing.