New York Theater

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  • Reviews

    The Bully Pulpit

    A first-rate monodrama, elegantly written and piquantly performed by Michael O. Smith,The Bully Pulpitpresents a splendid theatrical portrait of Theodore Roosevelt.

  • Reviews

    All That Fall

    It's Samuel Beckett's 100th birthday this year and, for all Sam's fans, here's an opportunity to view a rarely produced work.

  • Reviews

    Garrison Keillor: Man in Tux & Red Shoes with Piano

    When Garrison Keillor picked up the cordless microphone to begin his first Feinstein's at Loews Regency number, the fool contraption was off. He tried the mike on a second mike stand. Nothing.

  • Reviews

    The Scene

    Plays are like road trips. Sometimes they start full of optimism, and the ride is smooth and uneventful. Sometimes they start full of optimism and then the brakes fail.

  • Reviews

    Avenue X

    This production, set in the doo-wop world of Gravesend, Brooklyn, in 1963, is technically superb and, ironically, ultimately soulless.

  • Reviews

    My First Time

    As cyber technology seeps deeper into our existence, theatre, like every other aspect of daily life, is gradually becoming more fragmentary, like the bytes and bits that make up our superfast, limited-attention-span world.

  • Reviews

    Penetrator

    With his lanky frame, unusual haircut, and facial scruff, Max (Michael Mason) is immediately recognizable as a New York hipster.

  • Reviews

    The Sublet Experiment

    The Sublet Experimenttakes place in a different New York City apartment each week.

  • Reviews

    The Man Himself

    A quiet, unassuming man sits in a folding chair center stage inThe Man Himself.

  • Reviews

    Some Men

    Perhaps because most of the characters come across as symbols of history rather than flesh-and-blood men with individual passions and motives, Terrence McNally'sSome Menis strangely unmoving.