New York Theater

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  • Reviews

    Moonlight

    The genius of Harold Pinter is his ability to take commonplace situations and ordinary people, then warp their world with a hyper-realistic, often illogical theatricality.

  • Reviews

    The Fartiste

    The Fartisteis a gas, and that isn't just hot air.

  • Reviews

    Dirty Rotten Scoundrels

    The second part of the phrase "musical comedy" has reasserted itself on Broadway. Serious tuners are taking a back seat to self-referencing gigglefests.

  • Reviews

    The Orestia

    In David Johnston's freewheeling adaptation, the playwright has condensed the famed Greek tragedy of supreme familial dysfunction into a mere two hours.

  • Reviews

    Margaret Preece: Isn't It Romantic?

    Margaret Preece took a night off from her assignment as the Mother Abbess in the current London production ofThe Sound of Musicto sing Richard Rodgers songs.

  • Reviews

    The Milliner

    The post-Holocaust literature keeps rolling along, the theme an endless source of inspiration and repetition.

  • Reviews

    Manic Flight Reaction

    Can a play be emotionally powerful, darkly cynical, and ridiculously absurd? Sarah Schulman thinks so.

  • Reviews

    Lifeboat

    It's only at the end of this play that we get a vivid sense of time and place that the show lacks.

  • Reviews

    2.5 Minute Ride

    A main tenet, if not the central one, of autobiographical solo performance is the performer's direct connection to the material.

  • Reviews

    Webeime

    As a whole, the actors are outstanding, effectively transitioning from sweet to frightening at a moment's notice.