New York Theater

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  • Reviews

    Spring Awakening

    Based on the 1891 play by Frank Wedekind,Spring Awakeningremains breathtaking in ways one couldn't anticipate when the musical ran Off-Broadway at the Atlantic Theater Company last spring.

  • Reviews

    The Threepenny Opera

    Alan Cumming needs to find a new role, and the rest of the company is an equally mixed bag.

  • Reviews

    The Infliction of Cruelty

    The older children of the famous composer Franklin Pascal know a terrible secret about their father that they stumbled on as teenagers.

  • Reviews

    The Fall and Rise of the Rising Fallen

    Spinal Tap wasn't a real band, but it was made up of people playing music, thus, uh, making it a band.

  • Reviews

    Roberta (In Concert)

    Jerome Kern's melodious 1933 ode to Paris fashion might seem an odd choice for the modest means of producer Mel Miller's enterprising company.

  • Reviews

    Standing Clear

    Clearly a work in progress,Standing Clearrequires some ruthless editing before it can emerge as a worthy statement of New York underground life.

  • Reviews

    The Alice Complex

    Playwright Peter Barr Nickowitz has bitten off a lot with his new playThe Alice Complex— and shockingly managed to make it all work.

  • Reviews

    Capture Now

    Josh Jonas is a suitable storyteller, but his writing inCapture Now, his one-man show about brotherly bonds, could use some serious work.

  • Reviews

    The Bully Pulpit

    A first-rate monodrama, elegantly written and piquantly performed by Michael O. Smith,The Bully Pulpitpresents a splendid theatrical portrait of Theodore Roosevelt.