New York Theater

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  • Reviews

    Offices

    Even though it clocks in at a mere 75 minutes, Ethan Coen's latest collection of one-acts wears out its welcome long before it's over, mistaking as it does banality for hipness.

  • Reviews

    The Temperamentals

    Gay artists are reclaiming their history. Like "Milk," Jon Marans has done something similar for Harry Hay in his bright and affecting new play, "The Temperamentals."

  • Reviews

    Pound

    Ezra Pound, the influential American poet accused of treason during World War II but never tried, finally gets his chance for a jury verdict in "Pound," written and directed by William Roetzheim.

  • Reviews

    Darling

    The most memorable moments in "Darling," the new dance-theatre piece by choreographer Sam Kim, are the many entrances and exits of its four dancers.

  • Reviews

    On the Levee

    Like the object of its title, Marcus Gardley's "play with music" attempts to contain an ocean of ideas, characters, and plots, but the foundation is too weak, and the audience winds up getting soaked.

  • Reviews

    Never Norman Rockwell

    Kyle Baxter's new genial coming-out comedy finally proves to be too kindhearted for its own good.

  • Reviews

    4Play

    Whether employing bowling pins, pingpong balls, hatchets, flaming torches, or tiny fresh eggs, these guys can keep objects flying through the air between them with incredible speed and precision.

  • Reviews

    The Beátitudes

    Melanie Cortier's bland balletic choreography of "The Beátitudes," a 35-minute dance play about the Beat movement, bears no resemblance whatsoever to Beat sensibilities.

  • Reviews

    Open Heart

    For the most part, Joe Salvatore's "verbatim interview play" about open relationships among gay men is engrossing and illuminating.