New York Theater

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  • Reviews

    The Bully Pulpit

    A first-rate monodrama, elegantly written and piquantly performed by Michael O. Smith,The Bully Pulpitpresents a splendid theatrical portrait of Theodore Roosevelt.

  • Reviews

    Avenue X

    This production, set in the doo-wop world of Gravesend, Brooklyn, in 1963, is technically superb and, ironically, ultimately soulless.

  • Reviews

    My First Time

    As cyber technology seeps deeper into our existence, theatre, like every other aspect of daily life, is gradually becoming more fragmentary, like the bytes and bits that make up our superfast, limited-attention-span world.

  • Reviews

    The Fall and Rise of the Rising Fallen

    Spinal Tap wasn't a real band, but it was made up of people playing music, thus, uh, making it a band.

  • Reviews

    Roberta (In Concert)

    Jerome Kern's melodious 1933 ode to Paris fashion might seem an odd choice for the modest means of producer Mel Miller's enterprising company.

  • Reviews

    Capture Now

    Josh Jonas is a suitable storyteller, but his writing inCapture Now, his one-man show about brotherly bonds, could use some serious work.

  • Reviews

    Candida

    Michael Halberstam has given George Bernard Shaw's early comedy a very polished revival that is elegant and amusing.

  • Reviews

    Knickerbocker

    A play consisting of nothing but two-person conversations in the same restaurant booth could be static, but this is a moving and funny rumination on fatherhood.

  • Reviews

    Bye, Bye Big Guy

    Musical comedy construction can't get more ramshackle thanBye, Bye Big Guy, which uses a memorial service for Rumpelstiltskin as a jumping-off point to spoof all things showbiz.