Off-Broadway Review

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  • Reviews

    Three Pianos

    While this unique combination of frat party and musical history lesson is sometimes entertaining and informative, it's way too loosey-goosey to be ultimately satisfying. Plenty of free booze, though.

  • Reviews

    Ruined

    Rarely does a play take you to a corner of the world you hardly ever think about and force you to care fiercely for the people in it. Lynn Nottage's shattering work Ruined, presented by Manhattan Theatre Club in a co-production with Chicago's Goodman Theatre after a successful ...

  • Reviews

    An Error of the Moon

    Historical drama becomes lurid soap opera in Luigi Creatore's "speculation" on the brothers Booth.

  • Reviews

    Love Song

    This high-gloss production nicely nails the author-director's absurdist punch lines but is less than convincing when it comes to illuminating the play's underlying premise.

  • Reviews

    London Assurance

    The National Theatre of Great Britain has given us a delightful summer cocktail with a rousing knockabout production of Dion Boucicault's 1841 comedy "London Assurance."

  • Reviews

    Parents' Evening

    Though the writing is sharp enough to sustain interest from moment to moment, in the end this compact 75-minute work (including intermission) seems incomplete, as if it wants somehow to be part of a fuller canvas.

  • Reviews

    Hamlet

    For this National Theatre production, broadcast to cinemas worldwide, Nicholas Hytner finds a new interpretation of the most famous play in Western history and creates an Elsinore based on constant surveillance and deceit.

  • Reviews

    The Temperamentals

    Gay artists are reclaiming their history. Like "Milk," Jon Marans has done something similar for Harry Hay in his bright and affecting new play, "The Temperamentals."

  • Reviews

    A Play on Words

    The playwright Yasmina Reza would not only recognize but probably salute "A Play on Words," Brian Dykstra's corrosively funny two-hander.

  • Reviews

    A Disaster Begins

    This solo play about a fictional author who wrote a book about the Galveston hurricane becomes a journey into one woman's regrettable nonexistence.