Off-Broadway Review

Sort by:

  • Reviews

    Parents' Evening

    Though the writing is sharp enough to sustain interest from moment to moment, in the end this compact 75-minute work (including intermission) seems incomplete, as if it wants somehow to be part of a fuller canvas.

  • Reviews

    The Man in Room 306

    This earnest, nicely staged attempt at humanizing an iconic figure results in perhaps unintentional sniping at the legacy of Martin Luther King Jr. and adds little insight into it.

  • Reviews

    Peasant Opera

    Alongside the more grandiose offerings at Lincoln Center Festival 09, Béla Pintér and Company's "Peasant Opera" requires an intimate staging.

  • Reviews

    Rooms: A Rock Romance

    Monica (Leslie Kritzer), outgoing, ambitious, and Jewish, and Ian (Doug Kreeger), introverted, moody, and Catholic, become unlikely collaborators and lovers in Paul Scott Goodman and Miriam Gordon's genial Rooms: A Rock Romance.

  • Reviews

    Benefactors

    Carl Forsman's production of Michael Frayn's 1984 drama isn't perfect, but it's intriguing enough to hold your interest and keep you thinking.

  • Reviews

    #9

    Think of the first half of "#9" as the best kind of first date you can possibly imagine: The chemistry is strong and dynamic. Think of the second half of #9 as, well, if not the worst second date you can possibly imagine, certainly one of the worst.

  • Reviews

    Pieces

    The tension peters out fast in this story of two spooky little orphans and their hapless overseer, but the performances bring the two kids vividly to life.

  • Reviews

    The Last Cargo Cult

    Monologuist Mike Daisey's newest piece about the moneyless island culture of Tanna and our own financial crisis is moving, provoking, and well worth the investment of your time.

  • Reviews

    If That's All There Is

    That thumping sound you hear is my heart in overdrive. I've fallen head over heels for the young British physical-theater company Inspector Sands and its anarchic sense of humor.

  • Reviews

    Between Worlds

    This dance-theater offering is an inauthentic employment of flamenco dance, set against hip-hop sensibilities, in the service of a pummeling, percussion-driven music and movement spectacle.