Off-Off-Broadway Review

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  • Reviews

    The River Crosses Rivers: Series A

    While created by women playwrights of color, what's alluring about these plays isn't an obsession with ethnicity.

  • Reviews

    Be the Dog

    This awkward whimsy fails to shed new light on the canine experience. Interspersed with mild human drama, it goes nowhere on parallel tracks.

  • Reviews

    NY Review: 'Man Saved by Condiments!'

    Theatre Arlo's "Man Saved by Condiments!" in Frigid New York marks the NYC playwriting debut of Mary Jo Pehl of "Mystery Science Theater 3000."

  • Reviews

    Verse Chorus Verse

    For all its dropping of band names and wrestling with familiar indie-rock issues, Randall Colburn's Kurt Cobain–inspired drama doesn't muster much rock-'n'-roll cred.

  • Reviews

    Wallstories

    Powerfully choreographed by Berlin native Nejla Y. Yatkin, this thrilling, fiercely performed contemporary dance piece explores the personal emotions and political issues surrounding the Berlin Wall.

  • Reviews

    Victor and Victoria's Terrifying Tale of Terrible Things

    In Nathan Cuckow and Beth Graham's new play, two twins read and act out a macabre tale that is better written than it is performed and funnier than it is terrifying.

  • Reviews

    Yes We Can

    When there's as much talent on display as there is in Daniella Shoshan's new play, it's dispiriting to have to report that the show comes across as one hot mess.

  • Reviews

    Ameriville

    You won't leave this show feeling too good about America, but you'll admire the artistry and fervor.

  • Reviews

    White Horses: An Irish Childhood

    This one-man autobiographical solo show has its attractions but needs to plow fresher ground.

  • Reviews

    Vice Versa

    This exercise in absurdism at the Under the Radar festival is over-the-top and wholly diverting.