Off-Off-Broadway Review

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  • Reviews

    On the Eighth Day...

    This one-hour play opens with an old joke and goes nowhere fast.

  • Reviews

    A Night at the Tombs

    In her solo show "A Night at the Tombs," the beguiling Bianca Leigh tells us what it was like to be young, gifted, and transgendered in 1980s Manhattan.

  • Reviews

    Menny and Mila

    Menny writes for a sleazy tabloid. Mila is a Russian computer whiz. He sponsors her coming to the U.S. for six months, with no romantic strings attached. Will they end up a couple?

  • Reviews

    Song for a Future Generation

    For a prime example of the sci-fi spectacle dance-party play genre, look to the Management and Horse Trade Theater Group's production of Joe Tracz's "Song for a Future Generation."

  • Reviews

    Em O'Loughlin Was a Big Fatty Boombah!

    Recounting her life story through the prism of her struggle with weight, talented Aussie comedian Emily O'Loughlin weaves a delightful though somewhat shallow tale.

  • Reviews

    Mine

    The glaring flaw in "Mine" is that it's almost entirely static. The three players emerge at the end just as they were in that first scene, perhaps a little worse for wear.

  • Reviews

    For Artists Only

    Nellie Tinder's girls just want to have fun in this high-style narrative but often find the complex travails of adulthood instead.

  • Reviews

    Behind the Bullseye

    A zany ritual occurs on Atlantic Avenue in Brooklyn, where dazed Target shoppers and employees grovel at the altar of commerce and behold with awe the sacraments of shopping.

  • Reviews

    My AIDS

    This personable young man from Buffalo can hold a stage, forging an easy rapport with his audience. But bravery and charm aren't enough to turn a familiar and rather naive story into riveting theater.

  • Reviews

    Just Cause

    Zack Russell's commentary on the fate of Generation Y amidst omnipresent technology adequately makes its point, but his argument seems somewhat redundant and at times unfathomable.