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  • Advice

    Networks Make Final Pilot Orders

    Josh Gad, Roseanne Barr, Mindy Kaling, Becki Newton, Sarah Silverman, Rebel Wilson, Reba McEntire and more lead this season's pilots.

  • Advice

    Talent Never Ages

    Sometimes, I can't believe it. I'm performing with an Academy Award nominee and two-time Golden Globe winner, with a woman whose career shines alongside those of many of Hollywood's brightest stars.

  • Advice

    Anecdotes from Back Stage Staff and Contributors

    "At the risk of sounding like Elaine Paige in the current revival of "Follies," I started working at Back Stage in the early 1980s and I'm still here." - David Sheward, executive editor

  • Advice

    Readers Share Their 'Back Stage' Stories

    Thanks, Back Stage readers, for your kind words in celebration of our 50th anniversary. We couldn't have come this far without you. Here's to the next 50 years!

  • Advice

    From Our Readers

    In response to our Audition Issue (Aug. 18), we heard from actors with their own audition tales. Here are two.

  • Advice

    A Transition Toolbox

    Whether you are just starting out as an actor, thinking of leaving the business, or changing roles within the business, going through a transition can be complicated and emotionally draining.

  • Advice

    Serve No Review Before It's Time

    "Gentlemen's agreement" is an archaic term that is nevertheless perfect for describing the unwritten contract between publications and theater producers known as the "review embargo."

  • Advice

    To Be (an Actor) or Not to Be

    There comes a point in every struggling actor's career when they question whether they are on the right path. Trust me. I pretty much ask myself that every day (so do my parents).

  • Advice

    Wanted: Focus and Chops

    Reprise Theatre Company, which exclusively produces revivals of musicals and frequently chooses rarely produced shows, is opening "Kiss Me, Kate" this week.

  • Advice

    Combining the Art and Biz of Acting

    The art and the business of acting are often at odds; in order to get work, or even agent representation, one must learn to "sell oneself"—that is, represent oneself as a business.

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